Film & TV
A second unit that delivers what the script asks for.
Feature films, drama series and high-end TV — we land the establishers, action and aerials that anchor the storytelling.
Cinema-grade movement for narrative production.
Long days, complex blocking, scenes that need to cut together across multiple units — we're built for the rhythm of narrative production. Dual-operator drones, heavy gimbals, cable cams and chase cars come from the same crew, which means continuity from establishing wide to in-car insert.
We've worked alongside leading DOPs and directors on Netflix and Showmax productions, broadcast drama and independent feature films shooting in the region.
01
Dual-Operator Drones
Inspire 3 and heavy-lift platforms with separate pilot and camera operator for true cinematic moves.
02
Matched Cameras
Cinema-camera workflows — RED, ARRI, Sony Venice — matched across aerial, gimbal and ground units.
03
Second Unit Direction
Action, vehicle and aerial unit direction so primary unit stays focused on performance.
Selected Frames
Recent work from the field.
MTV Shuga Mashariki — Season 1
MTV Shuga Mashariki — Season 2
Showmax — Crime & Justice
Showmax — Pepeta: The Game of Life
Netflix — You Again
Netflix — Disconnect
Netflix — Disconnect 2: The Wedding Planner
Capabilities
What we bring to set.
- →Aerial second unit for feature films and drama
- →Dual-operator cinema drone packages
- →Cable cam and tracking systems
- →Vehicle process and pursuit work
- →On-set integration with primary unit DIT
- →Cinema-grade colour pipeline (LogC / RWG / S-Log)
- →Scout reports, risk assessments and flight plans
- →Local crew and equipment sourcing across East Africa